Here is an unusual and beautifully written Australian memoir destined to become a classic that captures the vulnerability and ardour of youth, and the fragility and strength of parental love.
It is 1965. Robert Hillman, a mere 16 years old, is planning an extraordinary adventure. Deserted by his mother, disliked by his stepmother, and puzzled by his father, Bobby needs comforting. His life in rural Victoria has offered no solace; his job at Melbourne’s Myer Emporium, selling ladies’ slippers, offers no prospects. So he does what any confused and lonely teenager would do: he escapes.
Boarding a ship bound for Ceylon, he begins his search for paradise, inspired by his father’s stories of a fabled island in the Indian Ocean. Bobby sets sail in a green suit, carrying a suitcase full of books and a typewriter. He has no money, no return ticket and, seemingly, no worries. He imagines the island he is heading for to be inhabited by beautiful, full-breasted women who will caress him while he writes prize-winning stories in the style of Chekhov.
What follows is an account—by turns heartbreakingly tender and side-splittingly funny of—an innocent abroad. Put ashore not in Ceylon but in Athens, Bobby barters his way to Istanbul, Tehran, and Kuwait, lurching from slums and brothels to an implausible job at a ritzy hotel in Shiraz. Finally, a long haul through the desert ends in a jail term on the Pakistan border where, ironically, he finds the affection and acceptance that have always been the true objects of his quest.
All the while, Hillman’s odyssey has been part of a larger family drama. Woven through his story is his father’s tale of struggle and sorrow. As the mature writer now realizes, ‘I booked a ticket on a ship to install myself in a story my father had begun in his imagination.’
The Boy in the Green Suit is an unforgettable, bittersweet tale of the artist as a bewildered young man.
“The great challenge of all memoirs is to walk the tightrope between personal reminiscence and stories which resonate far beyond the author and his or her family and friends. Robert Hillman achieves this balancing act nearly perfectly by mixing his stories of growing up in Victoria, and his subsequent travels around the world, with a wonderfully persuasive sense of innocent and endearing daydreaming.”
Bruce Elder, Sydney Morning Herald
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“The book becomes the story of physical and psychic survival, with a sub-plot around the story of Hillman's father, recreated as a strong and deeply troubled presence. While it has familiar familial themes, Hillman's complete lack of sentimentality gives it a punch sometimes lacking in such memoirs. Further, when the wild ride across the Middle East and parts of south Asia ends, when the boy is home and the book is closed, readers may find themselves only just beginning to marvel at the ordeal it describes.”
Jill Rowbotham, The Australian
“Hillman's resilience alone makes this a memoir worth reading. A childhood where he was thought to be simple, a mother's desertion and much more, and yet the person shining through these pages has a great charm and optimism.”
Anne Susskind, The Bulletin
“Robert Hillman’s The Boy in the Green Suit is a perfect miniature. It is a memoir of great sophistication and artfulness, that is also dramatically moving and laugh-aloud funny…it is done with unerring tonal control, and a mastery of diverse literary skills—cameo characterisation, hallmark dialogue and a keen sense of literary architecture.”
Judges' citation, National Biography Award